Hip Hop Voice Ringtones

hip hop voice ringtones

  • A ringtone or ring tone is the sound made by a telephone to indicate an incoming call or text message. Not literally a tone, the term is most often used today to refer to customizable sounds used on mobile phones.

  • (Ringtone (film)) Ringtone is a 2010 Malayalam film by Ajmal starring Suresh Gopi, Bala and debutant Megha Nair.

  • (Ringtone (song)) Internet Leaks is the third EP from "Weird Al" Yankovic. It was released digitally on August 25, 2009, although all of the songs were initially released as separate digital singles between October 2008 and August 2009.

  • A sound made by a mobile phone when an incoming call is received

    hip hop
  • Hip hop or Hip-Hop is an artistic culture that originated in the 1970s in New York City. DJ Afrika Bambaataa outlined the four pillars of Hip-Hop Culture: MCing, DJing, b-boying, and graffiti writing. Other elements include beatboxing.

  • A style of popular music of US black and Hispanic origin, featuring rap with an electronic backing

  • an urban youth culture associated with rap music and the fashions of African-American residents of the inner city

  • rap: genre of African-American music of the 1980s and 1990s in which rhyming lyrics are chanted to a musical accompaniment; several forms of rap have emerged

  • Express (something) in words

  • Regulate the tone quality of (organ pipes)

  • the distinctive quality or pitch or condition of a person's speech; "A shrill voice sounded behind us"

  • Utter (a speech sound) with resonance of the vocal cords (e.g., b, d, g, v, z)

  • give voice to; "He voiced his concern"

  • the sound made by the vibration of vocal folds modified by the resonance of the vocal tract; "a singer takes good care of his voice"; "the giraffe cannot make any vocalizations"

Voices of Spring

Voices of Spring

"Fruhlingsstimmen" ("Voices of Spring") op. 410 is a waltz by Johann Strauss II that was written in 1882. The work was intended as a waltz with a solo voice accompaniment (as opposed to a choral waltz) of whom the famous coloratura soprano Bertha Schwarz (stage name Bianca Bianchi) was to sing the waltz at a grand matinee charity performance at the Theater an der Wien in aid of the "Emperor Franz Josef and Empress Elisabeth Foundation for Indigent Austro-Hungarian subjects in Leipzig".
Bianca Bianchi was then a famous member of the Vienna Court Opera Theatre and Strauss was sufficiently inspired to compose a new work for the acclaimed singer as well as to write a waltz for solo voice. The result was his world-renowned "Fruhlingsstimmen" waltz which glorified spring and remained one of the classical repertoire's most famous waltzes.
The waltz makes a grand entry in the key of B? major with loud chords preceded with the waltz's three beats to the bar ushering the first waltz's gentle and swirling melody. The second waltz section invokes the joys of spring with the flute imitating birdsong and a pastoral scene. The plaintive and dramatic third section in F minor probably suggests spring showers whereas the fourth section that follows breaks out from the pensive mood with another cheerful melody in A? major. Without a coda, the familiar first waltz melody makes a grand entrance before its breathless finish, strong chords and the usual timpani drumroll and warm brass flourish.

Fruhlingsstimmen (Voci di Primavera) op.410, e un valzer di Johann Strau? jr.
Nell'Inverno del 1882-83 Johann Strau? fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del "Wiener Hopfoperntheater" (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta il 1° marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero Austro-Ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.
Strau?, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genee, che aveva gia collaborato con il compositore nell'operetta "Eine nacht in Venedig" (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.
L'Autunno del 1882 vide Strau? impegnato a Budapest, citta "sorella" di Vienna sulle rive del Danubio, per la prima rappresentazione dell'operetta "Der lustige Krieg" (La bella Guerra; 1881). In questo viaggio, Johann, fu accompagnato per la prima volta da Adele Deutsch, una giovane vedova che piu tardi sarebbe diventata la sua terza moglie. Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli ospiti della serata: Franz Liszt.I due compositori si conoscevano gia molto bene da almeno 30 anni (Strau? aveva dedicato il suo valzer "Abschieds-Rufe" op.179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Probabilmente fu questa visita che forni l'ispirazione per la scrittura del valzer "Fruhlingsstimmen".
Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strau? durante uno dei suoi concerti nel Musikverein nel 1883.
Durante il Concerto di Capodanno del 1987, Herbert Von Karajan, inseri nel programma il valzer "Fruhlingsstimmen" eseguendolo nella versione vocale originale con il soprano Kathleen Battle.

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and the day dragged on, slowly, aching my bones.
and whispers closed doors, my eyes closed as well.
and if i hear another lie i will explode.
and that is why i’m closed off, just wanting to be alone.
and the voices are getting louder, i find myself shaking.
and its time for my medication.

hip hop voice ringtones

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